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Let’s face it:Jurassic Parkis basically the T-Rex-sized sequel toJaws, and Steven Spielberg’s totally owning it. Think about it: swap the shark for a dino, toss in a bunch of humans tempting fate, and boom — you’ve got chaos, screams, and another Spielberg masterpiece. Both flicks thrive on humans messing with nature and regretting it.
When you’ve crafted two of the most epic thrill rides in movie history, you’ve got every right to flex. Spielberg knew what he was doing, and honestly, we’re all better off for it.
How Steven Spielberg’sJurassic ParkblendedJaws-inspired terror with blockbuster brilliance
Steven Spielbergdidn’t mince words aboutJurassic Park’s roots. He admitted it outright: his 1993 dinosaur epic was his version ofJawson land. And unlike theJawssequels (none of which he directed), this one wasn’t a flop.
In fact,Jurassic Parkredefined blockbusters, pulling in over$6 billionacross three decades and sparking a franchise that’s still roaring strong. He revealed (viaIndependent.co):
I have no embarrassment in saying that with Jurassic I was really just trying to make a good sequel to Jaws – on land. It’s shameless. I can tell you that now.
Spielberg, you see, had aknack for blending awe and terror, andJurassic Parkdelivered both. The man-eating T-Rex, the raptors in the kitchen, and yes, that unforgettable toilet scene where a lawyer became a dino snack — it was all shot with an edge of dark humor. His ruthless streak showed in the way he crafted these moments, turning fear into spectacle.
Behind the scenes, Spielberg juggled two worlds. He editedJurassic Parkby night while filmingSchindler’s Listby day, a testament to his range. Critics often place his dino flick belowETorClose Encounters, but the movie’s legacy says otherwise.
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He mentioned it in the foreword of a 2012 book about him, penned by critic Richard Schickel:
As you grow older, you just naturally want to turn to stories that take up more serious subjects than, say, big sharks and even bigger dinosaurs.
Steven Spielberg once described himself as part wonder-filled child, part relentless mogul.Jurassic Parkcaptured that duality perfectly, blending youthful fascination with masterful Hollywood precision.
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If Spielberg found treasure in his childhood obsessions,Jurassic Parkwas the glittering proof.
How Steven Spielberg’s notes sparked a fallout with his filmmaking idol, David Lean
Filmmaking isn’t always about the glam. Sometimes, it’s pure drama. Steven Spielberg learned that the hard way with David Lean.
TheLawrence of Arabialegend became the subject of some brutal feedback when Spielberg threw out a note during theNostromoproduction (viaFar Out Magazine):
It would be a big mistake to see Errol Flynn swashbuckling his way through a Conrad novel (this would be ridiculous), but some heroics, subtle yet justified, I think are a must for making him worthy of his title.
Yeah, not the best idea to critique the guy who made epic films likeLawrence— and it didn’t sit well with Lean. Tensions flared, and Spielberg bailed on the project, leaving his hero in the dust.
The rest? Well, Lean’s dream film never got made, and the feud was sealed. Guess Spielberg learned the hard way that sometimes you can’t just throw notes at your idols.
Steven Spielberg Nearly Made the Worst Mistake of His Life With Harvey Weinstein After Ugly Feud: “If we could survive each other”
WatchJawsandJurassic Parkon Amazon Prime & Apple TV.
Heena Singh
Editor | Former Senior Writer
Articles Published :1457
Heena Singh is a Editor at FandomWire, spent the last two years making waves in entertainment journalism. With a knack for digging up blockbuster celebrity scoops and an uncanny nose for the latest buzz, Heena’s articles bring a fresh and fun perspective to life. When she’s not conquering writing challenges, you’ll find her curled up in bed, peacefully sleeping.
