Celebrating the 20th anniversary ofFinal Fantasy VIII, Weekly Famitsu July 29, 2025 issue (released on October 10) included a long feature on Square Enix’s JRPG. The feature included a long interview with Kazushige Nojima, who worked as a scenarist on multipleFinal FantasyandKingdom Heartsgames. He’s also one of the scenarists onFinal Fantasy VII Remake.We already covered part of this interview, where Kazushige Nojimashared if he’d do a newFFVIIIgame, it’d focus on Laguna.
Here’s an extensive summary of the interview, with all the points Kazushige Nojima brought up.
Note that this article contains spoilers regardingFinal Fantasy VIII.
Kazushige Nojima started the interview by sharing how unlikeFinal Fantasy VII,Final Fantasy VIIIdidn’t have a multitude of projects related to it since its original release, so he didn’t have any occasion to look back on the game. Thinking about it now, a part of himself believes he could’ve done more with the game’s scenario.
Kazushige Nojima:In order to make the scenario work as a game, many changes happened to it during development. There are big differences compared to what we initially thought about, and what we ended up doing.
The fact thatFinal Fantasy VIIIfollowed the worldwide successfulFinal Fantasy VIIalso greatly influenced him:
Kazushige Nojima:Final Fantasy VIIwas a huge success outside Japan. So right from the start ofFinal Fantasy VIII’s development, one of our main objectives was making something that would be popular overseas. We didn’t have this in mind at all when makingFFVII. So I changed my way of writing. For example, in Japanese, you can make a character speak without revealing their gender. You can use that, and make a reveal later about how that character was actually a woman. This isn’t possible in English as the translation will always use either “He” or “She”. Another example would be jokes. Until then, I only thought about Japanese players, so puns were not a problem. But I heard the translators had a lot of trouble with that when translatingFFVII. So we tried our best to writeFFVIII’s scenario in a way that would be easier to translate.
Nojima also shared how he was helping with the overseas version ofFFVIIwhenFFVIIIwas in early development. So he doesn’t remember being on the team yet when Square decidedFFVIIIwould have “Love” and “Academy School” as its themes. He also remembers how himself, Yoshinari Kitase, and the advertising producer on the game, had no idea what “love” as a theme actually means. So they chatted a lot about it.
As for the reason why Square went with “love” as a theme, they wanted a fitting theme to depict a realistic story and characters. For this goal, they also aimed to make the characters' expression more realistic, but they couldn’t do much without going over their budget. There’s also how each character uses a high amount of polygons, meaning they couldn’t display more than a certain number of characters at the same time. This is something that affects screenplay and thus the story.
At the same time,Final Fantasy VIIIwas according to Nojima the first step which made himself and the staff realize “this is how we’ll make games from now”, slowly getting closer to the expressiveness and realism they wished. And then they reachedFinal Fantasy X, where characters were fully voiced fo the first time, allowing for even more expressiveness. Nojima is also happy overall with how they managed to properly show Squall’s growth and how he gradually becomes more expressive, until CD3 where he openly shows he loves Rinoa.
Later on in the interview, Nojima further explained how fan feedback and impressions onFFVIIinfluenced his work onFFVIII:
Kazushige Nojima:With the bonus I got withFFVII, I bought a PC and started browsing the net. I was curious about what players thought of Square’s games so I started readingFFVIIbulletin boards. The negative remarks which came back the most where “there’s too many flashbacks” and “the story is too sad”. Taking this into account, I decided to write forFFVIIIa story where none of the main characters would die. And I really like using flashbacks, giving puzzle pieces to the players. And then make the players realize what really happened later on. Trying to have less falshbacks is how I thought about the story trick with Laguna’s parts. These scenes makes you believe they’re happening at the same time, but you only realize later on they’re actually flashbacks.
As we already reported, Nojima also revealed how the parts where you control Laguna were initially supposed to be much longer:
Kazushige Nojima:At first, Laguna’s parts were much bigger. They were making around half ofFinal Fantasy VIII. But as development went on, they got shorter and shorter. The staff worked really hard to make a map for Laguna’s parts too, but in the end it’s barely used in the final game. I always felt bad about that and couldn’t apologize enough to the staff.
When asked for his favorite character, Nojima answered it’s probably Rinoa. One development story Nojima remembers is all the angry remarks the women on the development team brought up when they were working on the dance party scene. They explained how a girl wearing such a short dress would never move the way Rinoa initially did. So they changed her motion patterns to reflect that. Nojima also regrets they didn’t ask more for the women in the staff’s opinion when they were discussing the “love” theme of the game. He also didn’t believe some of Rinoa’s lines, like her “hug hug” lines, would become this famous.
Following that, Nojima was asked whichFFVIIIcharacter’s lines were the most difficult to write. He cited Quistis and Squall. Squall was the hardest because making him silent would just make him Cloud. But they also needed to take into consideration players who like dialogue choices, to influence Squall’s behavior. This is how Squall ended up being a character who doesn’t say his opinion much but speaks a lot in his mind. And Squall is the complete opposite of Laguna, who says everything he thinks.
Nojima mentioned there’s also a contrast with their comrades. Rinoa at some points says she can’t understand Squall unless he says what he’s thinking, meanwhile Kiros and Wald always understand Laguna before he even says anything. All these elements are ways to reflect the “love” theme ofFFVIII.
When speaking about Irvine and the reveals related to the character, Nojima also explained how he always aim to surprise players this way. Without these surprises, the stories wouldn’t have an impact andFinal Fantasygames would just be about the battle systems.
When asked about what defines aFinal Fantasygame, Nojima answered:
Kazushige Nojima:I don’t know what is aFinal Fantasy-like game is either (laughs). But what I know though is when something doesn’t feel like aFinal Fantasygame. It’s like instinct. I think while it’s a major series, we work onFinal Fantasylike independant developers would. I think Nomura would say the same thing. We never go for a straightfoward route. Or sometimes we make it seem so, but we actually do huge changes. If you’re able to feel this when playing aFinal Fantasygame, it means it’s aFinal Fantasy-likeFinal Fantasygame. It’s also possible one day we’ll do a “classic"Final Fantasygame that will definitly be accepted by everyone, with no changes. Maybe we’d need to force ourselves to do it though (laughs). Because we always strongly feel we need to do something new.
Nojima believes the worldwide love forFinal Fantasyis explained with how Square Enix always challenges themselves and make each game different, creating heated debate among fans on which game is their favorite. Nojima also mentioned that when attending overseas events, fans often tell himFFVIIIis their favorite. He’s quite happy about it and he believes it was worth it back then to think so hard about what overseas fans would like.
Ending the interview, Nojima shared this message for both old-time fans and those discoveringFinal Fantasy VIIIwith the remastered version:
Kazushige Nojima:UntilFFVII, it kinda felt as if we were students making games.FFVII’s success made us realize we’re developing awesome games, makingFFVIIIthe first time we really wanted to challenge ourselves.FFVIIIis obviously a huge part of theFFseries history, but I believe it’s also one of the most important games of that era as a whole. So I hope people will be able to feel that era when playing the game today.
If you wish to read more about Square’s early days, I recommend our report on the panel held byFFseries artist Kazuko Shibuya at Japan Expo 2019.
Final Fantasy VIII Remasteredis available on PC, PS4, Switch and Xbox One.
Final Fantasy VII Remakelaunches on Jul 30, 2025, on PS4. If you liked this article, you should grab the gameon Amazon to support us.
